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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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The Road to Calvary, Christ at center carrying the cross, surrounded by soldiers, the Holy Women swooning in the foreground, after the altarpiece (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel in San Giovanni de' Fiorentini, Rome
Giuseppe Sforza Perini
1776
Juno
Domenico Cunego
1767
Lot flanked by his two daughters, one of them holding a decorated jug, after Reni
Domenico Cunego
1771
The Works in Architecture of Robert and James Adams, Esquires. Volume I Containing the Five Following Numbers, viz. . .
Robert Adam
1778
The head of Mary Magdalene looking down to the right, in an oval frame, after Reni
Domenico Cunego
ca. 1745–1803
The Death of St. Cecelia, plate 32 from "Schola Italica Picturae"
Domenico Cunego
1772
Portrait of Clement XIV, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column)
Domenico Cunego
1774–79
The Creation of Adam, Sistine Chapel, plate 2 from "Schola Italica Picturae"
Domenico Cunego
1772
Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese... (Verona 1755)
Marc'Antonio Pindemonte
1755
St. Mary Magdalen, plate 29 from "Schola Italica Picturae"
Domenico Cunego
1772
Ganymede riding on the back of Jupiter as an eagle
Domenico Cunego
1770
Galatea, plate 31 from "Schola Italica Picturae"
Domenico Cunego
1772
The Birth of St. John the Baptist, plate 28 from "Schola Italica Picturae"
Domenico Cunego
1769
The Penseroso, from Milton
Domenico Cunego
1768
Moses
Domenico Cunego
1773
Portrait of Clarissa Strozzi, accompanied by a dog, plate 21 from "Schola Italica Picturae"
Domenico Cunego
1770
Caput Incognitum
Domenico Cunego
1776
Portrait of Antonio di Ponte, plate 25 from "Schola Italica Picturae"
Domenico Cunego
1769
Entombment of Christ
Domenico Cunego
1775
Lot and his Daughters, plate 36 from "Schola Italica Picturae"
Domenico Cunego
1771
Trofeo o sia Magnifica Colonna Coclide di marmo composta di grossi macigni ove si veggono scolpite le due guerre daciche fatte, da Trajano inalzata nel mezzo del Gran Foro eretto al medesimo imperadore per ordine del senato e popolo romano doppo i suoi trionfi (The Trophy or Magnificent Spiral Column of marble composed of large drums on which are carved the two Dacian Wars of Trajan, raised in the middle of the large Forum, erected in honor of the same Emperor on the order of the Senate and People of Rome after his Triumph) (1775-6); Columna Antonina (1776-9)
Giovanni Battista Piranesi
1774–79
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
The Sun drawn in a chariot of four horses in the clouds
Domenico Cunego
1777
St. Hieronymus, plate 35 from "Schola Italica Picturae"
Domenico Cunego
1769
An outline of Michelangelo's figures in the spandrels from the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
Sibylla Libyca
Domenico Cunego
late 18th century
Galatea, plate 8 from "Schola Italica Picturae"
Domenico Cunego
1771
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
St. Mary Magdalen, plate 34 from "Schola Italica Picturae"
Domenico Cunego
ca. 1770
Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese...
Marc'Antonio Pindemonte
1755
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
Moses holding the Tables of the Law above his head, plate 16 from "Schola Italica Picturae"
Domenico Cunego
1773
A Man and Woman Embracing, plate 20 from "Schola Italica Picturae"
Domenico Cunego
1773
The Origin of Painting
Domenico Cunego
1777
An old bearded man resting his head on his right hand and looking upwards to the left, after Reni
Domenico Cunego
1775
Apollo and Hyacinth, plate 33 from "Schola Italica Picturae"
Domenico Cunego
1771
Saint Joseph of Cupertino, flying overhead, with a woman fainting at left
Domenico Cunego
1745–1803
St. Margaret
Aloysio Cunego
late 18th century
The Allegro, from Milton
Domenico Cunego
1768
Portrait of a Lady, known as La Fornarina, plate 9 from "Schola Italica Picturae"
Domenico Cunego
1772